The
Road

If you
have had a bad
day, your girlfriend dumped you, you have troubles at work or might be
feeling down because someone swiped the last piece of cake you had been
dreaming about all day long, The Road is the movie that will drive you
over the edge, so hide all sharp objects before you buy a ticket. It is
magnificent in its desolation.
Viggo Mortensen stars as The Man - a father desperately trying to make
his way to the coast with his son (Kodi Smit-McPhee) in a
post-apocalyptic world where Earth seems to be dying all around them.
Not many have survived, and those who have must scavenge for food, seek
rudimentary shelter and avoid the gangs of marauders who have decided
to survive in a more despicable way. For most, suicide is a more
attractive option, but The Man continues to preach hope to his son.
Can The Man and his son make it to the coast?
What will they find?
While 2012
and The Road
both are about the end of the world as we know it, 2012
is more like a cartoon starring Daffy Duck while The
Road is an Oscar contender. It's
the choice between cotton candy and steak.
Directed by John Hillcoat and written by Joe Penhall (based on the
novel by Cormac McCarthy), The
Road isn't driven by a plot, but
a series of challenges to the soul. The Man and his son face a
succession of difficulties that would break 99% of us in this bleak
scenario, but Mortensen wonderfully shows us the character's
stubbornness and confusion.
Why does he want to live? Mortensen continues to keep us wondering as
his character is full of distrust and negativity about the world, but
continues to fight for his survival, while Smit-McPhee is the pure,
naïve soul who wants to trust and still has some wonder about
the world, no matter how horrifying it might be.
Over the past few years, Mortensen has proven to be one of the best
actors in the business, and The
Road is his masterpiece. He
gives The Man a painful, unmistakable look of longing in his eyes as he
sees the world for what it used to be and what he used to have, while
also giving us a sense of how this man is physically falling apart.
Every wince and limp tells a story, and makes the audience return to
that central question, "why does he want to live?"
While Mortensen gives us the emotional core of The
Road, Hillcoat amazingly creates
this desolate, dying world in stark terms with the most frightening
results you can imagine. Even if danger is not directly around the
corner, Hillcoat has established a tone forcing the audience to be
looking for it, and has you sitting on the edge of your seat in
anticipation as every twig snaps, the leaves on the ground rustle and
an ominous rumble comes from over the horizon.
If you don't find yourself fascinated by the emotional issues and
bigger battle between hope and negativity, The
Road will put you to sleep and
leave you wanting more plot. However, it engages your brain and heart
in ways that few movies can.
The
Road is rated R for some violence, disturbing images and language.

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