Maleficent
Take everything you know about Sleeping
Beauty and chuck it in the
garbage, because that’s what everyone involved with Maleficent
did.
In what is supposed to be “the real story”,
Angelina Jolie stars as Maleficent – the fairy defender of
the Moors who battles the evil humans who envy their land and want to
take it over. Along the way, she has fallen in love with a young human
boy who becomes greedy and overly ambitious as he grows older, Stefan
(Sharlto Copley).
After losing a horrible battle against Maleficent, the embarrassed
human king promises his throne to the one who can destroy her, so
Stefan takes advantage of the young fairy’s love for him,
slips her a mickey (in modern terms, he roofies her) and destroys her
most powerful weapon (in a way that is thoroughly creepy and a
horrifying metaphor for something I cannot speak of here).
Angry, heartbroken, and seeking revenge, Maleficent shows up at the
christening for Stefan’s new born daughter, Aurora. She
places a curse on the baby dictating that our young lady will prick her
finger on a spinning wheel before the sun sets on her 16th birthday,
and this will place her in a death-like sleep that can only be broken
by true love’s kiss.
Can King Stefan protect Aurora from the
curse?
Will they be able to find Maleficent before it is too late?
Maleficent
is a twisted version of Sleeping
Beauty that is much too serious,
when it should be playful with the story we know, and too altered and
plodding to be good.
The movie is supposed to be “the real story” of
Sleeping Beauty and Maleficent, but that is not made clear early on,
and it is a devastating, movie destroying decision and failure. Because
of this, if you remember the story, you are left wondering why it is
going so awry.
Also, as written by Linda Woolverton, Maleficent is a strange
character. I like a complex character as much as the next guy, but this
is all kinds of weird. I can understand being angry and wanting revenge
after what is done to her by Stefan (I root for her to destroy him
because he deserves it), but why does she start stalking Aurora (Elle
Fanning) like that deranged dude who swam across the bay to sneak into
Taylor Swift’s house? Instead of this series of events
playing out like Maleficent’s redemption or a change of
heart, it’s muddled and full of too many competing
motivations.
Woolverton and director Robert Stromberg also had to insert all sorts
of new material to make Maleficent
into a full length movie, and not all of it works because it is focused
in the wrong direction. We learn more about Maleficent’s
dutiful servant, Diaval (Sam Reilly), but not much about the fairy
godmothers who seem beyond incompetent and a little more important to
the story. We learn more about the world of the fairies, but not much
else about Stefan’s kingdom, which could help us get a feel
for his motivations. We are left with holes that make Maleficent
stretched out and empty, and they are trying so hard to impose modern
morality and attitudes on the classic tale that it feels awkward.
Jolie is awesome with her irresistible evil and naughtiness which gives
Maleficent some life. Woolverton and Stromberg should have let her have
more fun with the character and provided more humorous twists on the
story we know instead of falling so far into the dark and brooding
tone.
Maleficent
is rated PG for sequences of fantasy action and violence, including
frightening images.
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