Into
The Woods
This is not your father’s Disney musical, so get all of those
images of Frozen out of your head, and, more importantly, out
of your kid’s head. This one is more for teens, and adults with a
sense of humor.
James Corden and Emily Blunt star as a Baker and his Wife who greatly
yearn to have children, but an old curse has stood in the way of their
familial desires. Years ago, The Baker’s father wronged the next
door neighbor, a mean Witch (Meryl Streep), who put a curse on
successive generations.
She has offered to lift the curse, but The Baker and his Wife must
collect several items from fairy tale lore in order to help The Witch
regain her beauty. Along the way, they run into Jack (from Beanstalk
fame), Little Red Riding Hood, Cinderella and so many more.
Into The Woods is an amazing, fun, fantastic,
hilarious movie … for the first two-thirds of the film.
Who the heck ruined it with that last act?
Adapted by James Lapine (based on the musical he wrote with Stephen
Soundheim), the first two-thirds of Into The Woods are AWESOME.
Into The Woods is a sassy, funny, humorous
send up of classic fairy tales with wonderfully twisted takes on the
characters we know all mish mashed together for our entertainment. This
is the movie I wanted Maleficent to be.
Meryl Streep is amazingly fantastic as always. Within the first three
lines, you want to give her the Oscar as this menacing, angry, bitter
witch. Then, Lilla Crawford steals the show as the snotty Little Red
Riding Hood. Her brattiness yields the movie’s best laughs as
this kid storms through Into The Woods with no regrets for her
behavior, playfully oblivious to the offenses.
However, the last act, even though it is true to the original, is a
mess. Director Rob Marshall can’t find a way to elevate the
finale from the lifeless, directionless, unsatisfying, pointless,
plodding flop it is. Action and plot twists happen for no reason other
than some lame attempts to justify the last act’s existence.
It’s as if someone else with absolutely no talent wrote the last
act after someone awesome wrote the first two-thirds of the movie. This
last act has a completely different tone and feel that loses the fun.
Lapine and crew just don’t know what to do once we get past the
original story and try to take our characters beyond the superficial.
What happens in the woods stays in the woods.
Into
The Woods is rated PG for thematic
elements, fantasy action and peril, and some suggestive material.
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