The
Giver
Based
on the book by
Lois Lowry, Brenton Thwaites stars as Jonas – a young man
being given a massive responsibility. The world appears to be a perfect
utopia free of pain, war, sadness, class warfare, racism and rainy
days, but, as our young hero is about to find out, the world is quite
dystopian.
While the powerful in this society have erased all record of the
disastrous turn of events that compelled them to sanitize the world and
wipe those memories from our collective conscience (along with all
emotions, connections and free will), Jonas has been selected to be The
Receiver of Memory, and he works closely with The Giver (Jeff Bridges)
- an elderly man who is the only one to know the truth about
society’s past and holds all of the world’s real
memories, emotions and ideas that were stamped out in this intellectual
cleansing. For some reason, he is to pass all of it to Jonas. What
could go wrong?
However, like every teen who gets a bit of knowledge, Jonas leaps
forward and becomes a troublemaker trying to change the world, show
everyone the positive side of their horrific past, and win over the
love of his life (you knew a young lady was going to be tossed into the
mix at some point, right?).
Can Jonas change everything before The Chief Elder (Meryl Streep) can
catch him and rub him out?
While our characters on screen are going through an emotional
awakening, the audience is being put to sleep.
Director Phillip Noyce and writers Michael Mitnick and Robert B. Weide
need to pump it up! The Giver
is much too bland for a movie about something as important as
humanity’s salvation. This kid is supposed to be battling for
our souls, so let’s have a bit of excitement here.
Worst of all, Noyce and the team only give us glimpses of story and
plot. The Giver
is thin on details.
Scenes where Jonas learns about the world as it used to be are flashes
without context and meaning. He (and the audience) should be getting
lessons about each situation, but only get the emotion, which is quite
difficult to express in this medium. Maybe when we can have emotions
pumped into our brains The Giver would be more powerful, but
here it is
a yawnfest.
The weak love triangle feels forced into the story. Allusions to the
tortured and disastrous past are never truly shown to the audience, and
we never discover the details about how this sanitized society came to
be. Are they holding out for a sequel?
Plus, we need to know more about the position of Receiver of Knowledge
(doesn’t someone in Human Resources have a job description to
share with us?). There are offhand remarks about this person being an
advisor and leader within the community, but the audience doesn't get
to see it, and we never understand why the evil, powerful, conniving
Elders would let this one person walk around free with all of the big
secrets of society tucked away in his brain. That seems like disaster
(or a movie plot) waiting to happen.
Noyce and the team do make The
Giver look very intriguing. The
gray, emotionless world opens up into wondrous color as Jonas and
others start to see more and feel more. It’s akin to the 90s
film Pleasantville
in that sense. This is the one way the audience can feel the rigidness
of this society, its rules, and the way humanity has been muted.
Teens will like the idea of fighting the power, distrust of authority,
sneaking an illicit kiss and letting bottled up emotions explode, but The
Giver comes off as yet another
mopey, teen angst, dystopian drama even if it does feature actors like
Bridges and Streep.
The
Giver is rated PG-13 for a mature thematic
image and some sci-fi action/violence.
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